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| TABLE OF CONTENTS | |
| PREFACE | vii |
| I. ORDERS AND BORDERS | 1 |
| 1.1 The Gap of the Grotesque | 1 |
| 1.2 Contradiction: a Model of Conflict | 5 |
| 1.3 The Roots of the Grotesque | 9 |
| 1.4 The Method | 14 |
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15 |
| 2.1 Introduction | 15 |
| 2.2 A Twisted Tale, A Twisted Teller | 18 |
| 2.3 A Syncretic Style | 19 |
| 2.4 Narrative Laxity | 23 |
| 2.5 Bardamu's "Narraving" | 30 |
| 2.6 A Mad Mad World | 39 |
| 2.7 A Vast and Universal Mockery of War | 40 |
| 2.8 The Degradation and Depravation of Misery | 43 |
| 2.9 A Malevolent Mother Nature | 47 |
| III.GRASS ROOTS: TIN DRUM GROTESQUE | 51 |
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3.1. Introduction |
51 |
| 3.2 The Circular Hermeneutics of Psychosis | 55 |
| 3.3 Chaos, Disorder, and the Dissolution of the Family | 70 |
| 3.4 Paternal Disability | 74 |
| 3.5 Maternal Disaffection | 78 |
| 3.6 Filial Discontinuity | 85 |
| IV. MADNESS AND INCEST IN CIEN AÑOS DE SOLEDAD | 91 |
| 4.1 Introduction | 91 |
| 4.2 Hermeneutic Delirium and One Hundred Years of Solitude | 93 |
| 4.3 Madness and the Manuscript of Melquíades | 94 |
| 4.4 Fiction and the Truth of the Lie | 98 |
| 4.5 The Still Life that Moves | 103 |
| 4.6 Family, Incest, and Social Decay | 108 |
| 4.7 The Epic Answer and Paternal Order | 109 |
| 4.8 The Repressive Response of the Eternal Maternal. | 111 |
| 4.9 The Rebel and Resistance to Repression | 113 |
| 4.10 The Failure of Repression and the Fall of the Family | 115 |
| V. THE DEFORMITY OF THE HUMAN BODY | 119 |
| VI. BIBLIOGRAPHY | 125 |